It’s a self-portrait.
The artist presents herself to the world this way, with their face in the foreground, hands clasped on their head, and a melancholic gaze: an intense image, frozen in suspended time, laden with suppressed emotions.
With her “digital brushstrokes,” Teresa Giannico poignantly reflects on the ambiguity and mysteries of seeing, while simultaneously delving into the power of memory, much like Jorge Luis Borges when he recalled: “We are our memory; we are this chimerical museum of fleeting forms, this heap of broken mirrors.”

Gianluigi Colin