My research instills doubt on the documentary value of photography through a process of reconstructing reality. Considering its medium as a reading filter, I place it between fabricated scenes and the viewer with the aim of reflecting on the perception of the image itself. The process involves the appropriation of photosfound on the web, saving and labeling them in a remote archive, which serves as a catalog for the construction of new narratives. Oscillating between painting and photography, sometimes the depicted subjects have their origins in reality, while at other times they give way to imagined scenarios.